Atwood’s third collection of essays, reviews, speeches, and book introductions covers work from 2004 to 2021, during which time she cemented her place as a literary legend. Her 1985 novel, The Handmaid’s Tale, became an established classic, a hit TV series, and, as the Trump years neared and then arrived, troublingly prescient. In multiple essays, Atwood discusses that novel’s inspiration, creation, and influence—and how she came to write its 2019 sequel, The Testaments. In the context of that book and others (particularly her climate novels), this collection is marked both by her ongoing concern with the ethical and moral issues her fiction raises and an appealing flexibility in terms of subject matter. She treats keynote-speech invitations as opportunities to research subjects she otherwise might not. At a conference for nurses, she explored the distinctions between compassion and empathy, and at a gathering of neurologists, the role of the brain in fiction. Still, there are certain themes to which the author consistently returns. Literary inspirations are key, from fellow Canadians like Alice Munro to feminist polestars like Simone de Beauvoir and Ursula K. Le Guin to canonized authors like Shakespeare, whom she discusses with particular attention and verve in multiple pieces. (Most of them touch on her 2016 novel, Hag-Seed, a reimagining of The Tempest.) The cyclical nature of crises is another theme. In the context of The Handmaid’s Tale and Covid-19, Atwood writes eloquently about how misogynist and epidemiological crises have habitually repeated themselves throughout history. Resistance to censorship informs many of these pieces, though the author also pushes back against the kind of groupthink that demands writers always be political spokespersons. Throughout, her tone is sprightly and informed; only an essay from the perspective of an extraterrestrial from planet Mashupzyx feels half-baked.