Los Angeles is both the setting and the unifying force behind these 11 tales of crime, false hope, and down-and-out disillusionment. Knight writes primarily in the third person, past tense, usually from multiple viewpoints within each story. This narrative omniscience allows readers to experience events from different perspectives and heightens the effect when lives and choices inexorably come together in an ill-fated concatenation. Such interconnectedness is most evident in “Tip the Barkeep” and “White Horse,” tales in which a murderer … Read the rest